This video features a song that describes the beauty of music and how it can affect the world.
This song is from the 1972 film, Thavapudhalavan. This was originally sung by T. M. Soundararajan. Lyrics were written by Kannadasan. Music was directed by M. S. Vishwanathan.
It is based in Kalyani Raga which brings joy to people. This is known as the Lydian Mode.
As this is an Acapella cover, I have used multiple tracks to create the melody, drone and the rhythm.
1/2 tracks for the main melody
1/2 tracks for the harmonies
2 tracks for the drone Sa and Pa
0/1 track for the clapping which I did instead of konnakol or a percussion instrument.
1 track for the thakkathina thom repeating theme.
Leave a comment on social media or youtube to let me know of your thoughts!
The lyrics are below:
இசை கேட்டால் புவி அசைந்தாடும் அது இறைவன் அருளாகும்
On the occasion of Bharathiyar's 100 year death anniversary, I've performed the long version of his popular Ragamalika, Chinnan Chiru Kiliye.
Bharathiyar is an example of an open minded individual. Throughout his life he was inspired by others and conveyed great messages through his works.
This particular song was originally meant to be in Bhairavi however it is popular in it's multi raga form.
Though this song is said to describe Bharathi's feelings for a child, he has employed double-meanings which may indicate his wife, Chellamma. They were both married at a young age.
It took me time to hunt down and learn the full version and I'm glad I was able to learn this and hopefully pass it on to more people.
This is my first video where I accompany my singing with the keyboard.
I'm including rough translations and rough notations which can be used as guides.
My Petite Parrot, My Bountiful Treasure My Wholesome Happiness, You came to create progress in this world
Cinnam shiru = Small / very Little / Petite kiLiyE = Parrot KaNNammA = dear, or a common South Indian female name (Bharthi alluded to this name quite a lot) shelvak-kaLanjiyamE - A bountiful Treasure
Ennaik - For me kali - Happiness tIrttE - make whole, fulfill ulagil - In the World Etram - Progress / forward puriya - do / doing vandai - came
2
பிள்ளை கனி அமுதே கண்ணம்மா பேசும் பொற்சித்திரமே அள்ளி அணைத்திடவே என் முன்னே ஆடி வரும் தேனே
piLLaik-kaniyamudE kaNNammA pEshum por-chittiramE aLLi aNaittiDavE en munnE Adi varum tEnE
My Child-like, fruit dipped nectar, my speaking golden portrait Dancing before me, you come to me so I can hug you
piLLai - Child kaniyamudE - Fruit dipped in Nectar kaNNammA - a common South Indian female name pEshum - to speak / speaking por - Golden chittiramE - painting
aLLi - to grab/scoop aNaittiDaVE - to hug en - My / Mine munnE - in front Adi - Dancing / moving with grace varum - come / came tEnE - Honey
3 raagam: maanD
29 shankaraabharaNam janya Aa: S G3 M1 P D2 S Av: S N3 D2 P M1 G3 R2 S
ஓடி வருகையிலே கண்ணம்மா உள்ளம் குளிருதடி ஆடி திரிதல் கண்டால் உன்னை போய் ஆவி தழுவுதடி
Odi varugaiyilE kaNNammA uLLam kuLirudaDi Adit-tiridal kaNDAl unnaip-pOi Avi tazhuvudaDIaaDi tiridal kaNDaal unnai poi aavi tazhuvudaDi
When you come running towards me, my heart chills When I see you dancing with merriness, my soul hugs you
Odi - Running varugaiyilE - coming / came kaNNammA - dear, a common South Indian female name uLLam - Heart kuLirudaDi - Cooled / Cooling
Adit-tiridal - Dance around with merriness kaNDAl - To See unnaip-pOi - Come near you Avi tazhuvudaDI - My soul hugs you
4 raagam: vasantaa
17 sooryakaantam janya Aa: S M1 G3 M1 D2 N3 S Av: S N3 D2 M1 G3 R1 S
ucci tanai mughandAl garuvam Ongi vaLarudaDi mecci unnai oorar pugazhndAl mEni shilirkkudaDI
When I smell the top of your head, I feel strongly proud If I hear the people of the village praise you, my skin tingles with excitement
Ucci - Top of forehead Tanai - That part (as in that part of the forehead) mughandal - Kiss lightly, smell garuvam - Proud Ongi - Strong ValarudaDi - Grows
mecci - To praise with sincerely Unnai - you Yar - whomever pugazhndal - praise mEni - skin shilirkkudaDI - tingles (goose bumps)
5 raagam: tilang
28 harikaambhOji, 30 naaganandini janya Aa: S G3 M1 P N3 S Av: S N2 P M1 G3 S
If your face turns red, even momentarily, my heart feels uneasy If I see your forehead wrinkle, my heart throbs with fear...
ShaTru - momentarily mukham - face shivandAl - redness (as in became red with embarassment, discomfort, worry) manadu - heart sancalamagudaDi - disturbed (as in I'm disturbed)
neTri - Forehead Shurungak - shrunk (as in wrinkled forehead) kanDal - See enakku - me / mine nenjam - Heart padaikkudadi - flutter with fear
7 raagam: neelamaNi
27 sarasaangi janya Aa: S R2 M1 P D1 N3 S Av: S N3 D1 P M1 R2 S
உன் கண்ணில் நீர் வழிந்தால் என் நெஞ்சில் உதிரம் கொட்டுதடி என் கண்ணிற் பாவையன்றோ கண்ணம்மா என்னுயிர் நின்னதன்றோ
un kaNNil nIr vazhindAl ennenjil udiram koTTudaDi en kaNNin pAvaiyenrO kaNNammA ennuyir ninradanrO
If I see tears from your eyes, a whole river of blood flows from my heart (because) You're the light of my eyes, my life is yours
un - Your Kannil - Eyes Nir - Water (as in cry) ennenjil - My Heart udiram - Blood KoTTudaDi - pours
en - me / mine KaNNin - eyes Pavaiyenro - girl / light KannAmma - dear, a common South Indian female name ennuyir - It is actually En Uyir - My Soul / My Life ninradanro - is yours
8 raagam: neelaambari
29 dheera shankaraabharaNam janya Aa: S R2 G3 M1 P D2 P N3 S Av: S N3 P M1 G3 R2 G3 S
சொல்லு மழலையிலே கண்ணம்மா துன்பங்கள் தீர்த்திடுவாய் முல்லைச் சிரிப்பாலே எனது மூர்க்கம் தவிர்த்திடுவாய்
In your child-like way of speaking, you'll cure all my worries/misery In your innocent smile, you'll cure me of my ignorance
shollum - Speaking (as in words) mazhalaiyile - child like mumblings kannamma - dear, or a common South Indian female name tunbangal - misery / sorrow / worries tIrttiDuvAi - cure (as in you will cure)
Can even the pages of old literature tell happy stories as you do? In sharing Love, can even a God equal you?
inbak-kadaigaLellAm - Happy stories unnaip-pOl - Like you EdugaL - Pages (as in pages of a book) sholvaduNDO - Tell
anbu - Love taruvadile - Giving unainEr AghumOr - Wonderful, combination / play on words -- means, nigar - (as in equal to you) deivamundo - God (as in is there a God equal to you)
10 raagam: Brindavana Saranga
22 kharaharapriya janya Aa: S R2 M1 P N3 S Av: S N2 P M1 R2 G2 S
மார்பில் அணிவதற்கே உன்னைப்போல் வைர மணிகளுண்டோ சீர்பெற்று வாழ்வதற்கே உன்னைப்போல் செல்வம் பிரிதுமுண்டோ
mArbilaNivadarkkE unnaippOl vaira maNigaLuNDO shIr peTru vAzhvadarkkE unnaippOl shelvam peridumuNDO
To wear on the chest, are there even diamonds/pearls like you? Is there even a larger treasure than you in my life? i.e. You're the most prosperous treasure in my life.
mArbil - Chest (as in over the chest) AniVadarKke - wear ( as in wear over the chest) unnaipol - like you vaira - Diamonds / precious stones manigal - Precious stones Undo - Is there?
ShIr - Prosperity Petru - Got (as in get prosperous) vazhvadarkke - live unnaipol - like you shelvam - Treasure (large sum of bounty) Peridu - Large Undo - Is there?
This cover is dedicated to Appa! Happy father's day!
I have thought about dedicating a cover to him for a long time but was struggling to find a meaningful song that captured us as well as appreciated by both!
I really enjoyed making this cover of Please Sir from Boys. The original is also A Capella with a range of voices while my rendition uses my voice only with different harmonies. I'm hoping that this will be the first of many solo acapella tracks...
I absolutely love this composition so wanted to show you it too. I learnt this from a recording by Sudha Ragunathan who has recorded a number of compositions that I love. I'd like to release this video on her birthday as my dedication to her!
I've put hours into this video and hope to make more videos in a similar style but with greater improvements in the future.
I'm including the lyrics and rough translations below for reference.
If you would like to see me post carnatic notation, leave a comment on the video.
This is a Ragamalika composition set to Adi thalam. I would say this is raga-based rather than set in Ragas as I did notice a few Anya swaras (notes that fall outside of the rules of ragas) but these notes added an allure to this composition.
I've noticed Mohanakalyani, Hamsathwani, Uthayavichandrika/Sudha Dhanyasi and Revathi. The interludes have been tuned in a way that the transitions between these contrasting ragas are different.
Mohanakalyani Based:
பல்லவி
உன் முகம் காணவும்
என் முகம் நாடுதே
உள்ளத்தில் எண்ணில்லா ஆசை ஏனோ கண்ணா
Un mugam kaanavum
En mugam naaduthe
Ullathil ennillaa aasai eno kanna
My face is looking forward to seeing your face (I'm searching for the sight of your face)
In my heart there are numberless (numerous) desires Kanna
அனுபல்லவி
உன் குழல் ஓசை
உன் குழல் ஓசைதான் என் செவி கேட்குதே
கொள்ளையாய் இன்பம் சுறப்பதேனோ
Un kuzhal osai
Un kuzhal osaithaan en sevi kedkuthe
Kollaiyai inbam suranpatheno
The sound of your flute is heard by my ears
Why does so much joy come from this?
சரணம்
1. Hamsadhwani Based
கன்னியர்கள் வீன்பும் கவிதோள் திரன்டது
மின்னும் உன் சுறுள் கேசம் மேனி புரன்டது
மன்னுங் கருங்குழலின் மத்தியிலே வைத்து
பின்னாயோ என் நெஞ்சம் கண்ணா கண்ணா கண்ணா
Kanniyarkal vinbum kavithol thirandathu
Minnum un surul kesam meni purandathu
Mannungkarunkuzhalil mathiyile vaithu
Pinnayo en nenjam kanna kanna?
Poems were written that won the hearts of young women
Your curly hair that shines, turns with your movements
Could you braid my heart into your dark flute-like hair, Kanna?
2. Udayavichandrika or Sudha dhanyasi Based
விதம் விதமாகவே வேடிக்கை காட்டும்
வதனத்தில் கறு விழிகள் சுளர்ந்தாடுதே
-உன்
(அந்த) கதை பேசும் கண்களின் காந்தத்தினால்
என்னை வதைப்பதும் என்னமோ
பதைப்பது நெஞ்சமோ
Vitha vithamaakave vedikai kaattum
Vathanatil karu vizhikal sularthaaduthe - un
(Antha) Kathai pesum kankalin kaanthattinal
Ennai vathaipathu ennamo
Pathaippathu nenjamo
Your dark eyes are rolling on the face that plays a variety of antics
How do you kill me with the your attractive eyes that tell stories
My heart beats fast, are you trying to kill me?
3. Revati Based
காலமெல்லாம் உனக்காய் காத்திருந்தேன்
எந்தன் கழிதரு மேனியும் வீண்போகிரதே
கோளமாதவா கோபாலா
என்னை கூடிடல் எந்நாளோ நாடும் அப் பொந்நாளோ
Kaalamellam unnakai kaathirunthen
Enthan kazhitharu meniyum veenpogirathe
Kolamaathava kopala ennai
Koodidal ennaalo naadum ap ponnaalo
Through the ages, I have waited for you
My body is being wasted and turning to dust
Kola maathavaa, Kopaala...
Will the golden day that we meet ever arrive- I look forward to then.